Paintings, Mosaics, Icons. A Syriac Hymn on the Cathedral of Edessa
Summary
This is a philological and art-historical study, not an NLP paper. Polański examines an anonymous Syriac hymn (sugitho) about the Cathedral of Edessa, preserved in the 13th-century Codex Vaticanus 95. He sets it within the tradition of church consecration hymns and ecphrastic praise of buildings, from Eusebius to Procopius. The author compares the existing German, French and Polish translations, reconsiders the date, and reviews the uncertain history and location of the cathedral using Syriac chronicles. He also reinterprets disputed liturgical terms in the poem. His main claim is that the hymn dates to about 550, soon after the siege of 544. Two clues support this: the poem mentions the acheiropoietos image of Christ, and it names Bishop Amidonius as founder. He rejects later and earlier datings and suggests the poem may have influenced Paulus Silentiarius's ecphrasis of Hagia Sophia (563). The work matters because Edessa's cathedral was never excavated, so the hymn is a rare witness to 6th-century Eastern Christian aesthetics and architectural symbolism.
Key points
- The source is Codex Vaticanus 95, fol. 49–50, a Jacobite tropologion. The poem uses sixteen-syllable verse arranged in two-verse stanzas.
- The proposed date is c. 550. Grabar argued for the 7th century and Dupont-Sommer for the mid-5th century; the author rejects both.
- The hymn alone preserves the architects' names, Asaf and Addai, alongside Bishop Amidonius. All three are compared to the biblical builder Beseleel.
- Earlier translations and commentaries used: Goussen 1925, Schneider 1941, Dupont-Sommer 1947, Kania; Grabar 1947 is a key interpretive study.
- One Syriac term is read as "altar" in its narrow sense in stanza XVIII and as "chancel" by metonymy in stanza XIX. The "Cherub" is interpreted as a ciborium-like canopy over the altar.
Interesting ideas
- I1. The poem is dated by combining a lower bound (it mentions an object first attested after 544) with an upper bound (later wars made such a celebration implausible). — For Mova (world): Event ordering could intersect "not before" and "not after" constraints drawn from the entities a text mentions, yielding an explainable time window instead of a single guess.
- I2. The same word is given different senses in neighbouring stanzas. The deciding argument is that any other reading would leave the described church with no altar at all. — For Mova (frames): Word sense choice could check whether the scene the text builds still contains its expected parts, and prefer the reading that does not leave a required slot empty.
- I3. Two churches that tradition tends to merge are kept apart because their recorded properties clash: a columned basilica versus a domed central plan. — For Mova (frames): Coreference could block merging two mentions when their attributes contradict, and record that contradiction as the reason for the split.
- I4. Several independent translations disagree on key terms, and the author decides each point by weighing them against each other and against other sources. — For Mova (learn): This mirrors silver data built from agreeing witness parsers; places where witnesses disagree should be flagged for adjudication rather than averaged away.
- I5. The opening phrase, roughly "a prior poem", is taken to presuppose a companion hymn, possibly one about the pulpit. — For Mova (frames): Implicature handling could treat ordinal or relational words like "prior" or "second" as signals that a related entity exists, and add that entity to the text's world as a hypothesis.
Cite
@inproceedings{polanski2026paintings,
title = {{Paintings, Mosaics, Icons. A Syriac Hymn on the Cathedral of Edessa}},
author = {Polański, Tomasz},
booktitle = {Folia Orientalia 44},
year = {2026},
url = {https://wydawnictwo.pan.pl/index.php/fo/article/view/6638}
}References
- Baumstark, A. 1904. Vorjustinianische kirchliche Bauten in Edessa. Oriens Christianus 4. 164-183. find
- Baumstark, A. 1922. Geschichte der syrischen Literatur. Bonn [ repr.1968]. find
- Beierwaltes, W. 1961. Plotins Metaphysik des Lichtes. Zeitschrift fur Philosophische F orschung 15. Berchem, M. von; E.Clouzot. 1974. Mosa1ques chretiennes du IVe au xe siecle. Geneve. find
- Bovini, G. 1967. Mosaici paleocristiani scompasri di Napoli. Corsi di cultura sull'arte ravennate e bizantine 14. 21-42. find
- Brenk, B. 1975. Die fiiihchristlichen Mosaiken in S.Maria Maggiore zu Rom. Wiesbaden. find
- Brockelmann, C. 1965. Syrische Grammatik, Chrestomathie. Leipzig 1965. find
- Brockelmann, C. 1995. Lexicon syriacum. Hildesheim. find
- Cureton, W. (ed.) 1864 [repr. 1967] Ancient Syriac Documents Relative to the Earliest Establishment of Chistianity in Edessa. London. find
- Dalton, 0. 1961. Byzantine Art and Archaeology. New York. Deichmann, F. 1969-1989. Ravenna. Hauptstadt des splitantiken Abendlandes vol. 1-2. Dobschiitz, E. von. 1899. Christusbilder. Untersuchungen zur christlichen Legende, Leipzig. find
- Dumeige, G. 1972. Le Christ Medecin. Rivista di Archeologia Cristiana 48. 115-141. find
- Dupont-Sommer, A. 1947. Une hymne syriaque sur la cathedrale d'Edesse. Cahiers archeologiques II. 29-39. find
- Duval, R. 1892. Histoire de Edesse. Paris. find
- Fayant, M.-Ch.; P. Chuvin (ed.) 1997. Paul le Silentiaire. Description de Sainte Sophie de Contantinople. find
- Filarska, B. 1986. Pocz<ltki sztuki chrzescijanskiej. Lublin. find
- Filarska, B. 1999. Archeologia chrzescijanska. Warszawa. find
- Friedlander, P. 1912. Johannes von Gaza und Paulus Silentiarius. Kunstbeschreibung jusitinianischer Zeit. Berlin [ repr. 1969]. find
- Grabar, A. 1947. Le temoignage d'une hymne syriaque sur !'architecture de la cathedrale d'Edesse au VIe siecle et sur la symbolique de !'edifice chretien. Cahiers archeologiques 2. 41-67. Grabar, A. L'Iconographie du Ciel dans !'art chretien de l'Antiquite et du haut Moyen Age. Cahiers archeologique 30. 2-24. find
- Hohlweg, A. 1963. Ekphrasis. In: K. Wessel ( ed.) Reallexikon zur byzantinischen Kunst. 1963-Jastrz~bowska, E. 1997. Mozaiki luku triumfalnego w bazylice Santa Maria Maggiore w Rzymie. In: Maryja w tajemnicy Chrystusa. 120-133. Niepokalan6w. find
- Kania, W.; W. Myszor. 1973. Wybrane piesni i poematy syryjskie. Pisma Staro-chrzescijanskich Pisarzy XI. Warszawa. Kania, W. 1991-2. Piesn o katedrze edeskiej. Vox patrum 11-12. 229-237. Kirsten, E. 1950-. Edessa, Reallexikon fur Antike und Christentum, ed. Th. Klauser et alii. [=RACh]. find
- Klosinska, J. 1973. Sztuka bizantyn.ska. Warszawa. find
- Lassus, J. 1947. Sanctuaires chretiens de Syrie. Paris. Li psi us, R.; M. Bonnet (eds.) 1891 [repr. 1972] Acta Apostolorum Apocrypha. Lipsiae. find
- Mc Vey, K. 1983. The Doomed Church as Microcosm: Literary Roots ofanArchitectural Symbo. Dumbarton Oaks Papers 37. 91-121. find
- Maguire, H. 1994. Art and Eloquence in Byzantium. Princeton. find
- Maier, J. 1964. La baptystere de Naples et ses mosaiques. Freibourg. find
- Mango, C. 2004. The Art of the Byzantine Empire 312-1453. Sources and Documents. Toronto. Mansi, J.D. 1759. Sacrorum conciliorum nova et amplissima collectio. Repr. Paris 1901. find
- Mayboom, P. 1995. The Nile Mosaic of Palestrina. Early Evidence of Egyptian Religion in Italy. Leiden. find
- Miziolek, J. 1991. Sol verus. Studia nad ikonografi<l Chrystusa w sztuce pierwszego tysi<lclecia. Warszawa. find
- Mole, V. 1931 Historia sztuki starochrzescijanskiej i wczesnobizantynskiej. Lw6w. find
- Overbeck, J. (ed.) 1865. S.Ephraemi ... opera selecta. Oxonii. find
- Pigulewska, N. 1989. Kultura syryjska we wczesnym sredniowieczu. Warszawa. Patrologia Graeca, J.P. Migne (ed.). Paris. find
- Petre, H. 1948. Sources Chretiennes. Petrignani,A. 1934. La basilica di S. Pudenziana in Roma secundo gli scavi recentammente esquisiti. Vatican. find
- Philips, G. (ed.) 1876. The Doctrine of Addai the Apostle with an English Translation and Notes. London. find
- Piccirillo, M. 1993. The Mosaics of Jordan. Amman. find
- Rahmani, F. 1912. Ein Blatt aus der Geschichte der Kirchen Aleppos im Mittelalter. Theologie und Glaube. find
- Regal, J. 1970. Edessa. 'The Blessed City'. Oxford. find
- Richter, J. (ed.) 1897. Quellen der byzantinischen Kunstgeschichte. Wien. find
- Sader, J. 1972. La sugitha sur l'eglise d'Edesse. Quelques remarques sur le texte et sa traduction. Cahiers archeologiques 22. 233-236. find
- Rizzo, G. 1929. La pittura ellenistico-romana. Milan. find
- Sachau, E. 1899. Verzeichnis der syrischen Handschriften der K. Bibliothek zu Berlin. find
- Schneider, A. 1941. Die Kathedrale von Edessa. Oriens Christianus 36. 161-167. find
- Severin, H.-G. 1998. Zur Skulptur und Malerei der spatantiken und friihmittelalterlichen Zeit in Agypten. In: M.Krause (ed.) Agypten in Spatantike-Christlicher Zeit. 295-338. Wiesbaden. Sotiriou, G., M. 1956-58. Icones du Mont SinaL Athens. find
- Starowieyski, M. 1977. Apokryficzna korespondencja kr6laAbgara z Chrystusem. Studia Theologica Varsaviensia 15/2.177-200. find
- Stem, H. 1958. Les mosaiques de l'eglise de Sainte-Constance a Rome. Dumbarton Oaks Papers 13. 157-218. find
- Stem, H. 1960. Les peintures de mausolee de l'Exode a el-Bagawat. Cahiers archeologiques 11. 93-119. find
- Stomajolo, C. 1908. Le miniature della Topographia Christiana di Cosma Indicopleuste. Milan. find
- Tatarkiewicz, W. 1988, Historia estetyki 2. Estetyka sredniowieczna. Warszawa. There!, M.L. 1969. La composition et le symbolisme de l'iconographie du Mausolee de l'Exode a el-Bagawat. Rivista di Archeologia Cristiana 45. 221-270 Trombley, F.; J. Watt. 2000. The Chronicle of Ps.-Joshua the Stylite. Liverpool. find
- Weiss, Z.; E.Netzer. 1996. The Mosaics of the Nile Festival Building. In: R.Nagy, C.Meyers et alii (eds.) Sepphoris in Galilee. Crosscurrents of Culture. 127-131 Weitzmann, K. 1971. The Mandylion and Constantine Porphyrogenetos. In: Studies in Classical and Byzantine Manuscript Illumination. 224-246. Chicago. find
- Weitzmann, K. 1976. The Monastery of St.Catherine at Mount Sinai. The Icons. I From the 6 th to the 10 th century. Princeton. find
- Wilkinson, J.D. 1971. Egeria's Travels. Newly Translated with Supporting Documents and Notes. find
- Witakowski, W. 1984. NaukaApostalaAddaja. Studia Theologica Varsaviensia 22. 181-213. find
- Witakowski, W. (ed.) 1996. Pseudo-Dionysius of Tel-Mahre. Chronicle. Part III. Liverpool. find
- Zevi, F. 1998. Die Casa del Fauno in Pompeji und das Alexandermosaik. Mitteilungen des Deutschen Archaologischen Instituts, Rom. 105 .21-65. find
This page in Markdown → https://md.research.elamur.ai/free/en/papers/polanski-2026-paintings-mosaics-icons-syriac-hymn/